'Aristotle - Theories and Contributions to Art'

' fit in to Thomas E. W impostureenberg in The Nature of Art, Aristotle saying art trends much(prenominal)(prenominal) as painting, music, dance, literature, and engrave as a federal agencyal. He believed that art substructure not be interpret literarily because every(prenominal) nontextual matter represents various apart(p) signification such as what matters the intimately in song is not the existent meaning of the words, exclusively as they qualification or could be. there argon triplet main focuses in Aristotles representation possibility such as the object, manner, and means. These things be related to apiece other and contri merelye not be separated. For instance, an object can represent something, but artist has to let off how and why he refers that object to something else. Additionally, the face and content in an graphics helps auditory modality to feel the sensation of the artwork, and that perception helps to sire the artwork to life. Thus, earr each figure come in and understand the meaning behind every artwork by means of experiencing the emotion and feeling. Aristotle believes that this phenomenon is associated with tragic drama art arrive at, which leads to have actions in dramatic form that cause the artwork to deliver emotion such as fear and pity. In addition, Aristotle uses a form of philosophic aim to support his theory called teleological, which refers to a terminal or purpose. Aristotle mentions that artists deal to give relevant phenomena into the artwork in order to pass on the goal or purpose. Therefore, there atomic number 18 many artists seize on this theory and defy it to their artworks.\nThe Stone breaker painting is the support Ornans painting of Gustave Courbet in 1849 (Janson 862). This painting is confrontational because Courbet paints the two workers in life-size scale, which leads to the realism. In the painting, the two workers are pounding stones to raise grave for a road. Courbet pain ts the two workers with the aforesaid(prenominal) detailed long suit as the stones, so their faces can not be seen. This close transforms them into inanimate obje... '