Comparison of Crime and Punishment and Julius Caesar Essay Example for Free

Comparison of abomination and Punishment and Julius Caesar EssayWilliam Shakespe ars not equal to(p) play Julius Caesar written in 1608 is here comp atomic number 18d with disgust and Punishment written by Fyodor Dostoyevsky in 1866. Whereby the 2 authors lived in completely diametrical times, both texts had similarly established their storylines around acquaintances who blessted crimes based on theories they believed in. For example, Brutus from Julius Caesar commits murder be condition of his patriotism while Raskolnikov commits murder with his belief in the bermensch theory.This similarity has then brought further actualisation of similar depiction of protagonists between the authors. Such similarities are prevalent by the manner the protagonists conceal their emotions from officious with their paths to greatness. This ultimately leads to each protagonists act of digging their own hole, whereby they alienate themselves from those they adore. Hence this allowed for t he ambiguous response from the audience, as we are shaped into the capability of hating and loving the protagonist from both texts. Thus, though these internationally-acclaimed texts were written by authors of different eras, a similarity exists in the fashion they hurt portrayed their protagonists.Primarily, both protagonists suppress their love for otherwises in their search for greatness. The protagonist of Julius Caesar, Brutus, describes his forbiddance to his friends, not that I loved Caesar lessas he was ambitious, I slew him. in that location is tears for his love. (Shakespeare, 3.2.26-27) The first sentence of this mention affirms the protagonists inevitable love for his friend Caesar, whom Brutus paradoxically ends up murdering afterward emotional debates. Shakespeare has interestingly employed paradox in this quote to further corroborate Brutuss dominant indication of nobleness, when Brutus declares his true superpatriotic motives in murdering Caesar. Tears in the last sentence conveyed a sorrowful and high-risk tone. This suggests Brutuss inner conflict, which is his attempt to suppress his affection toward his friend in order to belt down Caesar. The protagonist of Crime and Punishment, Raskolnikov, also strives to suppress his compassion.Raskolnikov questions himself after friending a drunken girl, Is it for me to do that? And how could I ever have gone and given away those twenty copecks? (Dostoyevksy, 62) This quote demonstrates a sudden shift of mood, as Raskolnikov ripe shows his angelic side by helping others and now his demonic side takes over. These actions reflect the motif of triple personalities. The above three elements illustrate Raskolnikovs inner turmoil in suppressing his angelic side. Thus it is ironic that he exclaims he shouldnt have given away money, yet later gives money to Sonyas family. Raskolnikovs failure in suppression foreshadows his failure as a superhuman.Although both protagonists share the characteristi c of suppressing their love for others, they suffer different consequences. In Julius Caesar, Brutuss suppression of love for Caesar isnt clearly interpreted by Antony, who tells all, how dearly Caesar lovd him (Brutus) This was the most unkindest cut of allThenall of us cut down down. (Shakespeare, 3.2.180, 181, 189) Antonys such realization reveals his shrewdness and true, open love to Caesar, in contrast to his clog, Brutuss, suppressed love. Ironically, Antonys manifestation of his love for Caesar foreshadows Brutuss tragic downfall. Through this, Shakespeare is able to criticize the suppression of emotions. In Crime and Punishment, the protagonist Raskolnikov has a smash fate than Brutus. He confesses his crime to Sonya, who he had sought a human being, when he needed one. (Dostoyevsky, 621) This quote reveals the theme of common suffering and understanding.Raskolnikovs suppression of compassion has resulted in his physical and mental suffering. As Sonya is also subject to poverty, Raskolnikov knows she may understand his torment and help him find salvation. In both texts, the authors depicted how protagonists are forced to suppress emotions for others despite the differences in the consequences of their actions. Theres no permission or prohibition involved (for the extraordinary(p) people). he (the ordinary person) will suffer when he realizes the error of his waysSecondly, the protagonists both choose to relinquish their families and isolate themselves. In Julius Caesar, Portia questions Brutuss behaviour, And when I askd you what the matter was, / You stard upon me with ungentle looks. / Yet I insisted, yet you answerd me not. (Shakespeare, 2.1. 241, 245) Through this quote, readers are introduced to the protagonists alienation of wife Portia due to his patriotism. Brutuss insistent isolation denies the motif of emotional weakness, which is possessed by his foil Caesar when Calpurnia persuades him to stay home. The sharp contrast between these ch aracters illustrates Brutuss honourable and heroic characteristics. The theme of lack of communication proves to be a tragic fallacy for both Brutus and Portia. If theyd openly shared the problem, the tragic downfall of both characters mightve been avoided. The protagonist of Crime and Punishment, Raskolnikov, tells Sonya (Dostoyevsky, 291) that He forsweared his family today, so He shant see them anymore. This quote highlights the theme of isolation, caused by his belief in the bermensch theory.Raskolnikov chooses to desert his family because of his superhuman pursuit. However, his speech often reflects irony. His deep trustful relationship with Sonya foreshadows his incapability of achieving the superhuman state. Furthermore, Raskolnikov shows strong look up when Svidrigailov, Raskolnikovs foil and a round antagonist, attempts to harm Dunya, his sister, in Part V of the novel. Contradictory to his words, Raskolnikov reveals the motif of psychological uncertainty, which is closel y related to his punishment. In both novels, the protagonists have attempted to isolate themselves from their families to achieve greatness.However, they regard their family and friends differently. Brutus is go with by friends throughout the play. The flat character, Lucilius, aids with Brutuss escape by impersonating him (Shakespeare, 5.4.7-8). This loyalty affirms Brutuss well association with his friends and reveals Brutuss nobleness in the eyes of his countrymen. On the other hand, Raskolnikov takes the isolation to a higher level by deserting his friends. He tells Razumikhin, I dont needanyoneIll manage by myselfon my own (Dostoyevsky, 136) The use of ellipsis again depicts the motif of psychological uncertainty. Raskolnikov wants to isolate himself, entirely his stumbling speech portrays his doubts in his ability to alienate himself. Thus, its quite ironic that he eventually seeks help from Sonya, for redemption, and Razumikhin, for fetching care of his family. Shakespeare and Dostoyevsky illustrate the theme of isolation as one of the major themes in their text which add up to the protagonists tragic downfalls.Lastly, we find that Shakespeare and Dostoevsky use both good and evil qualities to characterize their protagonists. Through this, they are able to successfully provoke the readers empathy despite the characters misjudgements. In the final scene of Julius Caesar, Mark Antony makes a concluding advert about Brutus after he has died, This was the noblest Roman of them all/Brutus only, in a general honest vista/And common good to all, made one of them./This was a man (Shakespeare, 5.5.68-75) Here, Antony demonstrates his admiration and respect for Brutus even though he was part of the conspiracy. The irony is revealed when Antony compliments the murderer of Caesar as noble even though he had previously aroused the crowds against Brutus in Act III.Antonys shrewdness also reflects the motif of nobleness, demonstrated by Brutuss patriotic reason in committing the murder. Using iambic pentameter, Antony praises Brutuss magnanimousness sincerely. His speech reminds the readers of Brutus unselfish sacrifice for his country, simultaneously evoke empathy, enabling readers to associate Brutus more as a hero than that of a sinful criminal. Whereas in Crime and Punishment, in Raskolnikovs confession to Sonya, he says, Id started to search my conscience and ask myself whether I had any right to live with power over someone else like that meant that I didnt have any such right(Dostoyevsky, 500) This quote from the advent of the novel reflects a milestone in the plot development. By admitting this mistake, that he had no right to commit the murder, is the protagonists first step towards redemption, a major theme of the novel. Also, the novel is written in a one-third person limited omniscient point of view, therefrom readers are able to feel Raskolnikovs sorrow and violent emotions in his confession.Readers cant help alone sym pathize with Raskolnikov and his psychological torment caused by belief in the Ubermensch theory his tragic fallacy. Although the protagonists in the texts, Brutus and Raskolnikov, are murderers, the reasons behind their crimes are different. Brutus contemplates whether or not to kill Caesar and finally decides, It must be by his death. And for my part/I know no personal cause to spurn at him/But for the general (Shakespeare, 2.1.10-13) This quote again illustrates the motif of nobleness. In this quote, Brutus reveals his patriotic and unselfish reason for murdering Caesar in order to benefit the greater good. Shakespeare skilfully employs iambic pentameters here to reveal Brutuss nobility and determination in committing such crime. This quote also helps with plot development as it foreshadows Caesars death. Raskolnikov on the other hand, also commits murder but he has his own intentions.Raskolnikov confesses to Sonya, I didnt kill in order to help my mother I didnt kill in order g et money or power and olibanum be able to become a benefactor of mankind. I simply killed for no one but myself what I needed to knowwas whether I was a louse or a man. (Dostoyevsky, 500) This quote signifies Raskolnikovs motive in committing murder was not based on utilitarianism but personal needs. The anaphora used for rejecting his previous exculpation of the crime reflects his self-realization. Pride is a motif in the novel. By admitting his misjudgement, Raskolnikov demonstrates his wounded pride. This highlights his psychological growth from the crime. By combining positive and negative characteristics, Shakespeare and Dostoevsky have successfully portrayed the protagonists like real people, possessing flaws and merits.Thus, in the end, both authors have created protagonists who attempt to achieve greatness yet face difficulty in terms of overcoming relationships with all-important(prenominal) characters in their lives. Such difficulty halt their paths to greatness as it forces Brutus to find motivation to kill Caesar and as it brings Raskolnikov to realize his inability to follow the bermensch theory for hes unable to overcome human compassion.However, both also fight back their battles before realizing they were not meant for greatness Brutus and Raskolnikov alienate their loved ones, but discover they cannot endure their absence. This portrayal of the protagonists illustrates how though their deeds are evil, they are still human and suffer as humans do thus earning our empathy where it was first nonexistent. In conclusion, therefore, with such similarities present in each protagonist throughout both stories of radically different timeframes, the authors William Shakespeare and Fyodor Dostoyevsky had evidently shared an ability to establish similar yet effectual protagonists in this case, Shakespeare and Dostoyevsky with their characteristic great minds thought alike indeed.BibliographyDostoevsky, Fyodor. Crime and Punishment. Trans. David McDuf f. London PenguinBooks, 2003Shakespeare, William. Julius Caesar. Ed. Roma Gill. Oxford Oxford University Press,